① Subject Binding

① Subject Binding Use the character from @image1 as the main subject. The appearance must match @image1 exactly: black gat (traditional Korean hat), black dopo/cheollik robe, traditional single-edged sword with tassel decoration, and black shoes. ② Subject + Environment Photorealistic cinematic film style. A pale-skinned female swordswoman with black hair tied up, faint battle scars and sweat on her face. Wearing a worn black dopo and gat, carrying a single-edged sword with tassel decoration at her waist. Black cursed smoke slowly rises from her body like thin mist. When she moves at extreme speed, the afterimage appears naturally as high-shutter-speed motion blur, not as a glowing visual effect. Expressionless, cold, and ruthless. Background: A bamboo forest at sunset. Golden backlight breaks through the bamboo leaves. Dozens of invading Japanese soldiers from the 1597 Jeongyu War period surround her. They wear leather and iron dō-maru armor, jingasa-style battle hats, and sashimono flags on their backs. They carry matchlock guns, spears, and Japanese swords. Some samurai commanders wear helmets, face guards, and ornate armor. Far in the distance, cannons are positioned in the camp, occasionally firing with loud explosions and clouds of gunpowder smoke. Dust, smoke, and particles naturally float through the air. Dark, harsh, realistic textures. ⸻ ③ Timeline (cuts + different camera angles) 0–3 seconds: [Wide establishing shot + crane down] The swordswoman stands surrounded in the middle of the bamboo forest. → [Extreme close-up of her hand gripping the sword handle] → Instant draw. → [Low-angle medium shot] A single lightning-fast slash. Black smoke trails briefly from the blade. Two or three soldiers in the front line are cut down and collapse. 3–6 seconds: [Handheld tracking follow shot] She charges forward at superhuman speed, leaving natural motion blur. → [Whip pan transition] She deflects incoming spears and swords while performing continuous slashes. Spears break, matchlock guns are knocked away, and blood droplets scatter through the air. Every step kicks up clouds of dirt. 6–9 seconds: [Over-the-shoulder → orbit camera movement] She moves behind the enemy and performs a spinning slash. The camera circles around her. → [Close-up shot] Her emotionless side profile. Flying blood droplets become blurred into soft out-of-focus bokeh. 9–12 seconds: [Quick-cut montage, 3 short cuts] She disappears like teleportation and appears behind enemies. Her position jumps between cuts. With precise sword strikes, soldiers fall one by one. Slight trembling in the shadow afterimages. 12–15 seconds: [Low-angle wide shot] A final high-speed spinning slash. A physical pressure wave pushes bamboo leaves and dust outward. Black smoke spreads naturally (not a light explosion). The soldiers collapse at the same time. → [Slow push-in close-up] The swordswoman stands alone. The cursed smoke fades away as bamboo leaves slowly fall. Silence. ⸻ ④ Camera + Audio IMAX cinematic style. Every sequence uses different camera angles and cuts: establishing shot, extreme close-up, OTS, orbit shot, low angle, whip pan, crane movement. Subtle handheld camera shake for realism. Shallow depth of field with strong cinematic bokeh. No slow motion. 60fps high-frame-rate motion with clear, smooth movement. Audio: Sharp sword wind sounds, metal clashes, matchlock gunshots, distant cannon explosions, enemy shouts and screams. Clear sounds of fabric movement, footsteps, and breathing. Dark low-frequency orchestral music with heavy percussion. The ending fades into wind and silence. ⸻ ⑤ Style + Restrictions Photorealistic live-action movie style. IMAX 65mm film look, subtle film grain, natural sunset backlighting. Realistic skin texture, sweat, dirt, and blood droplets. No game-style glowing effects or neon visuals. The dark energy must appear only through realistic smoke, mist, and natural motion blur. Cut transitions are allowed (not a single continuous shot). Each scene must use different camera angles.