Four-film-still noir lighting prompt set

Prompt 1: Cinematic western film still, "Salt Flat Reckoning" — SHOT 2. Close-up: the rider's sun-cracked face beneath a wide-brim hat, deep shadow carved under the brim, only the lower half of his face lit by blinding white noon sun, jaw set, eyes invisible in shadow. Heat shimmer softens the background to a white blur. Bleached desaturated palette, harsh top light, 35mm film grain, anamorphic 2.39:1 letterbox. Prompt 2: Cinematic gothic-horror film still, "The Hollow Choir". Interior of a ruined cathedral at night, moonlight falling through a single broken stained-glass window in a shaft of cold blue-white light across the stone floor. A lone robed figure kneels at the edge of the light, face in shadow. Vaulted ceiling dissolves into total black above. Desaturated blue-grey palette, dust motes visible in the light shaft, high-contrast noir shadow, 35mm grain, anamorphic 2.39:1, director's-note composition. Prompt 3: Cinematic war-drama film still, "Last Transmission". Extreme close-up: a soldier's hand gripping a cracked radio handset, knuckles white, mud and blood under the fingernails. Backlit by a single flare arcing somewhere off-frame, throwing hard orange rim-light across the hand while the rest stays near-black. Smoke drifting through the light shaft. Ultra high contrast, single hard practical key, 90% negative space in shadow, 35mm grain, anamorphic 2.39:1, cinematic. Prompt 4: Cinematic thriller film still, "Static Frequency". Interior wide shot: an abandoned lighthouse control room at night, banks of dead analog equipment glowing faint green from one dying monitor. A lone operator sits with back to camera, headphones on, face unseen. Dust hangs visible in the single shaft of light. Everything outside that glow drops to black. Cold teal-green key, high-contrast noir shadow, film grain, anamorphic 2.39:1 letterbox, director's-note style, shot on anamorphic 35mm.