A Wordless Love Through Sign Language

Spent a lot of time with Velvet Skies 🌌❤️, incorporating every scene, and shots tried to get those emotions without speaking... Seedance 2.0 in @higgsfield_ai 👇 Whole prompt package; you can just replace the character. PACKAGE 1 · 15s · 16:9 · 2 refs · 7 shots, 6 cuts SCENE A wordless romantic montage in the register of a mid-1990s Japanese television drama. Part one: a quiet office worker notices a woman, and starts teaching himself sign language. ACTIVE REFERENCES Match faces and identity to the references; wardrobe is specified per shot below and overrides the reference clothing. @Romeo — the man. Early twenties, mid-length wavy black hair to the jaw, calm face, faint closed-lip smile. @Juliet — the woman. Early twenties, long loose black hair past the shoulders, warm open smile, thin gold chain, small gold hoops. Hands in every insert match the hands of the matching reference — same size, proportion and skin tone. FORMAT Seven shots, 15s, six HARD CUTS, no fades. Every shot the same length. Cuts only at the specified points; the camera does not cut on its own. Only ever moves forward — never loops or reverses. FRAMING NOTES 47° = neutral human perspective; 29° = tight medium, background softly compressed; 18° = close-up, background melted; 12° = detail insert. Locked within each segment, no drift. 0-2.1s SHOT 1 — 47°, framed 2m behind him at 1.5m, static. Open-plan office, soft cool overcast light from a window screen-left. @Romeo at x50 y50 seen from behind at a desk in a white dress shirt, visible at 0.0s. No empty frame. He turns his head left into profile and holds. A colleague crosses the far background screen-right carrying a folder. HARD CUT. 2.1-4.3s SHOT 2 — 18°, framed 0.8m from his face at 1.5m, static. @Romeo at x50 y45 in tight profile, filling the frame, office softness behind. He looks off screen-left with quiet intensity, eyes steady, jaw set, lips closed. HARD CUT. 4.3-6.4s SHOT 3 — 47°, framed 3m out at 1.5m, static. Dimmer office light, deeper shadows. @Juliet at x55 y50 steps in through a doorway in a dark wool coat, flustered, raising one hand to push her hair back off her face. Her coat swings and settles. HARD CUT. 6.4-8.6s SHOT 4 — 29°, framed 2.5m out at 1.5m, static. @Juliet at x45 y50 stands nearer the lens and thrown soft, back three-quarters to camera. @Romeo at x58 y48 stands behind her, sharp and in focus, in a white dress shirt, watching her intently without moving. HARD CUT. 8.6-10.7s SHOT 5 — 29°, framed 1.5m out at 1.5m, static. A bright window blows out behind him, rimming his hair and shoulders. @Romeo at x50 y50 lowers his eyes and looks down, thoughtful, almost shy, the faintest smile at one corner. HARD CUT. 10.7-12.9s SHOT 6 — 12°, framed 0.4m from his hands at 1.2m, static. @Romeo's hands hold a slim beginner's Japanese sign-language book, its cover showing simple line diagrams of hand shapes and Japanese lettering, a brown leather strap watch on the left wrist. His thumb moves down the page. HARD CUT. 12.9-15.0s SHOT 7 — 47°, framed 3m out at 1.4m, static. Outdoors, late golden sun through trees. @Romeo at x35 y55 in the near foreground, thrown soft, now in a sage-green shirt over a white tee, the book open in his hands. @Juliet at x68 y50 sharp in the background in a cream knit top and rust skirt, smiling at him. A cyclist passes on the path behind her screen-left. PERFORMANCE Nobody speaks. Lips stay closed and still in every shot. No dialogue, no voiceover, no offscreen voices, no subtitles, no on-screen text. Emotion carried entirely by eyes, small smiles and hand movement. PHYSICS Real weight and follow-through. His hair lags behind the head turn and settles. The coat swings on her stride. Her hair falls back against her hand. Book pages have thickness and bend. LIGHTING Shots 1-2: soft cool overcast window light as key, dim office fill. Shot 3: lower key, deeper shadow, more contrast. Shots 4-6: bright window behind as backlight with soft bounce into the faces. Shot 7: low golden sun as backlight, warm bounce, long shadows. STYLE Photoreal live action shot on colour negative film: fine grain, low contrast, gentle highlight roll-off, soft warm cast with faintly cool shadows, mild halation on bright edges, shallow natural depth of field, natural skin tones, no digital sharpening. The unhurried framing of a mid-1990s television drama. 16:9. AUDIO Ambience only, recorded clean for scoring in post — quiet office room tone, keyboards, a distant phone, footsteps, birds and wind outdoors. No music, no dialogue. POSITIVE LOCKS Faces, hands, hair and jewellery identical across all seven shots. Only these two people are ever in focus; background figures stay anonymous and unfocused, and every one keeps moving. Every shot is static and real time. PACKAGE 2 · 15s · 16:9 · 2 refs · 7 shots, 6 cuts SCENE A wordless romantic montage in the register of a mid-1990s Japanese television drama. Part two: the same couple, from a golden afternoon into night. ACTIVE REFERENCES Match faces and identity to the references; wardrobe is specified below and overrides the reference clothing. @Romeo — the man. Early twenties, mid-length wavy black hair to the jaw, calm face, faint closed-lip smile. Throughout: sage-green shirt over a white tee, brown leather strap watch on the left wrist. @Juliet — the woman. Early twenties, long loose black hair past the shoulders, warm open smile, thin gold chain, small gold hoops. Throughout: cream knit top and rust-brown skirt. Hands in every insert match the hands of the matching reference — same size, proportion and skin tone. FORMAT Seven shots, 15s, six HARD CUTS, no fades. Every shot the same length. Cuts only at the specified points; the camera does not cut on its own. Only ever moves forward — never loops or reverses. FRAMING NOTES 84° = wide establish; 29° = tight medium, background softly compressed; 18° = close-up, background melted; 12° = detail insert. Locked within each segment, no drift. 0-2.1s SHOT 1 — 18°, framed 1m from her face at 1.5m, static. Outdoors, late golden sun. @Juliet at x50 y45 fills the frame, visible at 0.0s, golden backlight through her hair. No empty frame. She smiles wide and warm, one hand rising near her cheek, fingers open and relaxed. HARD CUT. 2.1-4.3s SHOT 2 — 29°, framed 1.5m out at 1.5m, static. Same golden light. @Romeo at x50 y50 lowers his eyes and looks down, then smiles gently to himself, shoulders easing. HARD CUT. 4.3-6.4s SHOT 3 — 18°, framed 1m from his face at 1.5m, static. @Romeo at x50 y48 lifts the beginner's sign-language book and holds it across the lower half of his face, covering mouth and nose, only his eyes above the edge, still smiling. HARD CUT. 6.4-8.6s SHOT 4 — 84°, framed 5m out at 1.0m, static. A wide green park in flat bright daylight, trees behind. @Romeo at x42 y62 and @Juliet at x56 y62 sit facing each other on the grass, both with hands raised at chest height, copying the same sign back and forth and laughing silently. A jogger crosses the far background screen-right. HARD CUT. 8.6-10.7s SHOT 5 — 29°, framed 1.5m out at 1.6m, static. Night. @Juliet at x50 y50 tilts her face up toward city lights, warm bokeh filling the background, her hands lifted near her chin in a small soft gesture. Traffic streaks far behind her. HARD CUT. 10.7-12.9s SHOT 6 — 18°, framed 1m from his face at 1.5m, static. Night. @Romeo at x50 y48 in profile, warm street lamps and shop signs melted into bokeh behind him. He raises both hands into frame and signs, lips closed and still, eyes on her off screen-right. A couple crosses the far pavement behind him. HARD CUT. 12.9-15.0s SHOT 7 — 12°, framed 0.5m from their hands at 1.0m, static. Night. Heavy golden bokeh from city lights fills the whole background. Their hands meet at x50 y58 in the lower centre of frame — his fingers close gently around hers, skin creasing under soft pressure, and stay. PERFORMANCE Nobody speaks. Lips stay closed and still in every shot. No dialogue, no voiceover, no offscreen voices, no subtitles, no on-screen text. Emotion carried entirely by eyes, small smiles and hand movement. PHYSICS Real weight and follow-through. Her hair lifts and settles as she tilts her head. Book pages have thickness and bend. Fingers move with real joint articulation in every sign. Soft visible pressure where their hands meet. LIGHTING Shots 1-3: low golden sun as backlight, warm bounce into the faces, long shadows. Shot 4: flat bright open daylight. Shots 5-7: no key on the faces, only warm city bokeh and street lamps behind, faces lit by soft ambient spill. STYLE Photoreal live action shot on colour negative film: fine grain, low contrast, gentle highlight roll-off, soft warm cast with faintly cool shadows, mild halation on bright edges, shallow natural depth of field, natural skin tones, no digital sharpening. The unhurried framing of a mid-1990s television drama. 16:9. AUDIO Ambience only, recorded clean for scoring in post — birds and wind in the park, distant children, evening traffic, faint city hum at night. No music, no dialogue. POSITIVE LOCKS Faces, hands, hair, wardrobe and jewellery identical across all seven shots and matching part one. Only these two people are ever in focus; background figures stay anonymous and unfocused, and every one keeps moving. Every shot is static and real time. PACKAGE 3 · 15s · 16:9 · 2 refs · 7 shots, 6 cuts SCENE A wordless romantic montage in the register of a mid-1990s Japanese television drama. Part three: a night together, then a quiet evening indoors. ACTIVE REFERENCES Match faces and identity to the references; wardrobe is specified below and overrides the reference clothing. @Romeo — the man. Early twenties, mid-length wavy black hair to the jaw, calm face, faint closed-lip smile. Throughout: sage-green shirt over a white tee, brown leather strap watch on the left wrist. @Juliet — the woman. Early twenties, long loose black hair past the shoulders, warm open smile, thin gold chain, small gold hoops. Throughout: cream knit top and rust-brown skirt. Hands in every insert match the hands of the matching reference — same size, proportion and skin tone. FORMAT Seven shots, 15s, six HARD CUTS, no fades. Every shot the same length. Cuts only at the specified points; the camera does not cut on its own. Only ever moves forward — never loops or reverses. FRAMING NOTES 84° = wide establish; 29° = tight medium, background softly compressed; 18° = close-up, background melted; 12° = detail insert. Locked within each segment, no drift. 0-2.1s SHOT 1 — 12°, framed 0.6m from their hands at 1.0m, static. Night, heavy warm bokeh from city lights filling the background. Their joined hands at x50 y55, visible at 0.0s, his fingers laced through hers. No empty frame. Her thumb moves slowly across the back of his hand. HARD CUT. 2.1-4.3s SHOT 2 — 18°, framed 1m from his face at 1.5m, static. Night, warm bokeh behind. @Romeo at x50 y48 fills the frame, a soft smile spreading, eyes shining and steady on her off screen-right. HARD CUT. 4.3-6.4s SHOT 3 — 18°, framed 1m from her face at 1.5m, static. Night, matching warm bokeh, matching framing. @Juliet at x50 y48 tilts her face slightly upward, lips parting into a gentle smile, eyes soft and unguarded. HARD CUT. 6.4-8.6s SHOT 4 — 84°, framed 8m out at 1.6m, static. A vast illuminated tree of thousands of warm fairy lights fills the upper frame. @Romeo at x46 y66 and @Juliet at x54 y66 stand small below it, hand in hand, backs three-quarters to camera, looking up. Two visitors cross the far background screen-left. HARD CUT. 8.6-10.7s SHOT 5 — 29°, framed 1.5m out at 1.2m, static. Indoors at night, a single warm table lamp screen-right as the only source. @Romeo at x50 y50 sits at a low table, cheek resting in his palm, elbow down, smiling softly to himself. HARD CUT. 10.7-12.9s SHOT 6 — 29°, framed 1.5m out at 1.2m, static. Same lamp light, same room. @Juliet at x50 y50 sits looking down at a single folded sheet of writing paper held in both hands, reading, a smile building as she reads. HARD CUT. 12.9-15.0s SHOT 7 — 18°, framed 1m from her face at 1.2m, static. @Juliet at x50 y48 lifts the sheet of paper and holds it across the lower half of her face, playful, only her eyes above the edge, crinkled with the smile behind it. PERFORMANCE Nobody speaks. Lips stay closed and still in every shot. No dialogue, no voiceover, no offscreen voices, no subtitles, no on-screen text. Emotion carried entirely by eyes, small smiles and hand movement. PHYSICS Real weight and follow-through. Soft visible pressure where their hands meet, skin creasing under the grip. Her hair shifts and settles as she tilts her head. The paper has real weight and bends slightly as she lifts it. LIGHTING Shots 1-4: no key on the faces, only warm city bokeh and fairy lights behind, faces lit by soft ambient spill. Shots 5-7: a single warm tungsten table lamp as key from screen-right, deep soft falloff into the room, everything beyond the table in shadow. STYLE Photoreal live action shot on colour negative film: fine grain, low contrast, gentle highlight roll-off, soft warm cast with faintly cool shadows, mild halation on bright edges, shallow natural depth of field, natural skin tones, no digital sharpening. The unhurried framing of a mid-1990s television drama. 16:9. AUDIO Ambience only, recorded clean for scoring in post — faint city hum and distant traffic at night, quiet room tone indoors, paper rustling. No music, no dialogue. POSITIVE LOCKS Faces, hands, hair, wardrobe and jewellery identical across all seven shots and matching parts one and two. Only these two people are ever in focus; background figures stay anonymous and unfocused, and every one keeps moving. Every shot is static and real time. PACKAGE 4 · 15s · 16:9 · 2 refs · 7 shots, 6 cuts SCENE A wordless romantic montage in the register of a mid-1990s Japanese television drama. Part four: a bright winter together, and a happy ending. ACTIVE REFERENCES Match faces and identity to the references; wardrobe is specified below and overrides the reference clothing. @Romeo — the man. Early twenties, mid-length wavy black hair to the jaw, calm face. Throughout: a cream cable-knit sweater, brown leather strap watch on the left wrist. @Juliet — the woman. Early twenties, long loose black hair past the shoulders, warm open smile, small gold hoops. Throughout: a dark wool coat over a cream knit top, with a soft rust-red wool scarf. Hands in every insert match the hands of the matching reference — same size, proportion and skin tone. FORMAT Seven shots, 15s, six HARD CUTS, no fades. Shot 4 runs 3.0s; every other shot runs 2.0s. Cuts only at the specified points; the camera does not cut on its own. Only ever moves forward — never loops or reverses. FRAMING NOTES 47° = neutral human perspective; 29° = tight medium, background softly compressed; 18° = close-up, background melted. Locked within each segment, no drift. 0-2.0s SHOT 1 — 18°, framed 1m from his face at 1.5m, static. Outdoors, bright flat winter daylight, bare trees melted behind. @Romeo at x50 y48 fills the frame, visible at 0.0s, in the cream sweater. No empty frame. He breaks into a wide open smile, eyes creasing, breath faintly visible in the cold. HARD CUT. 2.0-4.0s SHOT 2 — 18°, framed 1m from her face at 1.5m, static. Matching daylight, matching framing. @Juliet at x50 y48 in the coat and rust-red scarf laughs freely with her eyes closed, head tipping back a little, hair moving. HARD CUT. 4.0-6.0s SHOT 3 — 18°, framed 0.7m from her face at 1.5m, static. Same light, closer. @Juliet at x50 y48 opens her eyes and settles into a quieter smile, softer and more serious, looking directly off screen-left at him. HARD CUT. 6.0-9.0s SHOT 4 — 29°, framed 1.2m out at 1.6m, static. Night, warm city bokeh filling the background. @Romeo at x44 y48 and @Juliet at x56 y48 stand close, foreheads resting together, eyes closed, breath visible between them. They hold there. Then she tilts her chin up, he leans down, and they kiss softly — unhurried, lips closed, one of his hands rising to the side of her face. They stay in it as the shot ends. HARD CUT. 9.0-11.0s SHOT 5 — 47°, framed 2.5m out at 1.5m, static. Indoors, a warm celebration, string lights and candlelight. @Romeo at x44 y50 and @Juliet at x56 y50 stand together laughing, coat and scarf off, she in the cream knit. Three friends stand close around them within arm's reach, each raising a glass and turning to them. HARD CUT. 11.0-13.0s SHOT 6 — 47°, framed 3m out at 1.2m, static. Outdoors, bright open daylight, grass and bare trees. @Romeo at x44 y58 and @Juliet at x56 y58 sit together on the grass, coat and scarf back on, both smiling. She holds the string of a blue dolphin-shaped foil balloon that drifts above them. A dog walker passes the far background screen-right. HARD CUT. 13.0-15.0s SHOT 7 — 29°, framed 1.5m out at 1.3m, static. Same daylight, same grass. @Romeo at x44 y52 lifts the blue dolphin balloon in front of @Juliet's face at x56 y52, hiding it for a beat. She pushes it aside with one hand and both break into open laughter. PERFORMANCE Nobody speaks. Lips stay closed and still in every shot; laughter is silent and physical, in the eyes, cheeks and shoulders. The kiss in shot 4 is the only mouth movement in the piece. No dialogue, no voiceover, no offscreen voices, no subtitles, no on-screen text. PHYSICS Real weight and follow-through. Her hair swings and settles when her head tips back. The scarf shifts against her neck. The foil balloon has almost no weight — it lags, drifts and bobs on its string with every movement, never falling straight. LIGHTING Shots 1-3: bright flat overcast winter daylight, soft and shadowless on the faces. Shot 4: no key, only warm city bokeh behind and soft ambient spill. Shot 5: warm string lights and candles as practicals, low and golden. Shots 6-7: bright open daylight, warm and clean. STYLE Photoreal live action shot on colour negative film: fine grain, low contrast, gentle highlight roll-off, soft warm cast with faintly cool shadows, mild halation on bright edges, shallow natural depth of field, natural skin tones, no digital sharpening. The unhurried framing of a mid-1990s television drama. 16:9. AUDIO Ambience only, recorded clean for scoring in post — cold wind and distant birds outdoors, faint city hum at night, warm room murmur and glassware at the celebration. No music, no dialogue. POSITIVE LOCKS Faces, hands, hair and jewellery identical across all seven shots and matching parts one to three. @Romeo stays frame-left and @Juliet frame-right in every two-person shot. Only these two are ever in focus; everyone else stays anonymous and unfocused, and every one keeps moving. Every shot is static and real time.